- “北京有多少條胡同？”
- “有名的胡同三千六，沒名的胡同賽牛毛�！�
- "How many hutongs are there in Beijing?"
- "There are three thousand six hundred famous hutongs, and there are more nameless hutongs than cow hair."
▼項目概覽，view of the yard ©UK STUDIO
本案位于五道街胡同，位于大柵欄地區西南部，東北至西南走向。南起南新華街南端，北至鐵樹斜街、櫻桃斜街、堂子街、韓家胡同的交會處。此街明代稱五道廟，五道廟建于萬歷三十五年，明兵部尚書王象乾稱此地為正陽、宣武二門之"龍脈交通車馬輻輳之地"，應以廟鎮之。受業主委托，這次我們希望在安靜的老北京胡同里設計一隅小酒館。
The case is located in Wudaojie Hutong, in the southwest of the Dashilar area. It starts from the southern end of South Xinhua Street in the south and reaches the intersection of Tieshuxie Street, Cherry Xie Street, Tangzi Street and Hanjia Hutong in the north. This street was called the Wu Dao Temple in the Ming Dynasty, and the Wu Dao Temple was built in the 35th year of Ming Dynasty Wanli, and minister Wang Xiangqian of the Ming Military Department called this place "the place where the dragon vein traffic and horses converge" of Zhengyangmen and Xuanwumen, and Should be suppressed by temples. Commissioned by the owner, this time we wanted to design a special bar in the old Beijing alley.
▼全景圖，overall view ©UK STUDIO
原生場地是一個面朝南新華街的合院，左鄰右舍都是此地久居的老住民。從狹窄的入口通行，空間關系是北京傳統四合院的簡化版，我們對院子做了重新解構——盡管原有的空間屬性是全封閉的，我們希望仍然保持疏密有序的感覺，因此將封閉的院子做得盡量通透、明亮。我們注重進入內庭院后的感受，即關門伊始，就進入自己的世界，來訪者所見皆是自己視野內的建筑，這是貫穿在設計過程中邏輯，既需要有一定的透氣感，也要保證私密性。
The original site is a courtyard facing South Xinhua Street, and the neighbors are all residents who have lived here for a long time. Passing through from a narrow entrance, the spatial relationship is a simplified version of Beijing's traditional courtyard, and we have renovated the courtyard - although the original spatial properties are completely enclosed, we want to still maintain a sense of density and order, so we make the closed courtyard as transparent and bright as possible. We pay attention to the feeling after entering the inner courtyard, that is, from the beginning of the closing, entering their own world, and the visitor sees the building in his own field of vision, which is the logic that runs through the design process, which requires both a certain sense of breathability and privacy.
▼酒吧入口處，Entrance view ©UK STUDIO
入口處呈L型通向院落內部，為避免厚重墻體帶來的沉悶感，我們在訪客視野所及處嵌入一面落地玻璃墻，一方面增加照明，另一方面內景隨著人的移動而時隱時現,有控制地一點一點地讓人看到景觀,循序漸進地創造空間的序列。
The entrance is L-shaped leading to the interior of the courtyard. In order to avoid the dullness caused by the heavy walls, we embedded a floor-to-ceiling glass wall as far as the visitor's field of vision can see, on the one hand, to increase the lighting, on the other hand, the interior scene disappears with the movement of people, controllably allowing people to see the landscape little by little, and gradually creating a sequence of spaces.
▼酒吧入口灰空間，Entrancegrey space view ©UK STUDIO
過渡空間的納入成為建筑整體構成的一部分，協同塑造建筑形態，豐富虛實對比，天花保留建筑場地中駁舊的肌理材質，并且形成入口灰空間，滿足室內外空間的良好過渡。在空間之中通過材料的解構，進行交疊、重組。
The inclusion of the transitional space becomes part of the overall composition of the building, synergistically shaping the architectural form, enriching the contrast between virtual and real, and the ceiling retains the old texture materials in the building site, and forms an entrance gray space to meet the good transition of indoor and outdoor spaces. In the space, through the deconstruction of materials, overlapping and recombining.
▼通向內院的通道，Access to the inner courtyard ©UK STUDIO
拾級而下，抵達院落內部，中庭是合院這種建筑類型的趣味所在。本案是在維持已有房屋結構不變的條件下，使用材質和形狀來對應歷史，同時根據材料特性調整形式和比例，把握其粗糙程度和時代感。通過局部關系的調整而改變院落空間的氛圍并滿足多樣的使用，讓老舊院落能夠與時俱進的融入到當代城市生活之中。
To walk slowly down a flight of steps to the interior of the courtyard, the atrium is at the heart of the courtyard's enjoyment of life. In this case, under the condition of maintaining the existing house structure unchanged, the materials and shapes are used to correspond to the history, and at the same time, the form and proportion are adjusted according to the material characteristics to control its roughness and sense of The Times. Through the fine-tuning of the part relationship , the temperament of the courtyard space is changed and diversified use is satisfied, so that the traditional small courtyard can be integrated into the contemporary urban life with The Times.
▼從內部向入口處看，View from the inside towards the entrance©UK STUDIO
室內、建筑與自然在相互界定中融會貫通，形成一個可以相互滲透的空間結構。我們對原有院落中的墻面、門窗、屋架、鋪地等構造系統進行了整理與修復。設計建設過程中避免使用與地域及歷史時代不相符的現代工業材料和處理方式，在此基礎上，把通透屬性的落地玻璃墻嵌入磚混結構的承重柱里，使得室內外動靜的變化隨時保持著溝通與互動。
Interior, architecture and nature are integrated in the mutual definition, forming a spatial structure that can penetrate each other. We organized and repaired the walls, doors and Windows, roof frames, floor paving and other structural systems in the original courtyard. In the process of design and construction, modern industrial materials and processing methods that are inconsistent with the region and historical times are avoided. On this basis, the transparent floor-to-ceiling glass wall is embedded into the main support columns of the brick and concrete structure, Thus enable interactions and communications occurred between these two areas.
▼從中庭向室內空間看，View from the atrium towards the interior©UK STUDIO
以構造交互、流動的空間內外部關系，來加深場地本身給予人通達五感的多樣體驗，并以此形成了空間內部的敘事邏輯。樸色砂石地面和基座連成一體，能讓雨水快速流走并保持室內干燥。鏡面池和山石的放置借助了庭院山水中的概念：依山傍水房樹間，行也安然，坐也安然。
By constructing interactive and flowing relations inside and outside the space, the site itself deepens the diverse experience of the five senses, and forms the narrative logic inside the space. The dark sand and stone floor is integrated into the base, allowing rainwater to flow away quickly and keeping the room dry. The placement of the mirror pool and the rock is based on the concept of the courtyard landscape:People live and sit safely next to houses near mountains and rivers.
▼室內細節，Interior details©UK STUDIO
進入內部空間，墻面和地面以同色系材質相呼應，屋頂是改造前留下來的木結構橫梁，我們希望通過建材的取舍能引出新的植入空間與原建筑之間的歷史重量對應關系，而建筑的空間性，往往也體現在這種虛實相生的關系中。
Into the interior space, the wall and the ground are matched with the same color material, and the roof is the wooden beam left over before the transformation. We hope that the selection of building materials can lead to the historical weight correspondence between the new implanted space and the original building, and the spatial nature of the building is often reflected in this relationship between the virtual and the real.
▼室內細節，Interior details©UK STUDIO
▼吧臺細節，Details of the bar©UK STUDIO
七星斗柜有“抬手取，低頭拿，半步可觀全藥匣”的特點，考慮到吧臺具有招待及儲存等多重職能，我們把中醫藥櫥的概念融入吧臺設計。作為室內建設的一部分，這種設計不僅傳達了場域的獨特調性，同時也成為極具氛圍感的品牌商標。
The seven-star cabinet is characterized by "lifting the hand, lowering the head, and viewing the whole medicine box in half step". Considering the multiple functions of the bar, such as reception and storage, we integrated the concept of the traditional Chinese medicine cabinet into the design of the bar. As part of the interior construction, this design not only conveys the unique tone of the site, but also becomes a brand image with a pecial sense of atmosphere.
▼屋頂與支撐柱之間的關系，The relationship between the roof and the supporting columns©UK STUDIO
主廳拆除多余的隔墻，僅以木質架構作為支撐形成開敞式空間，沿軸線徐徐展開�？臻g是一個載體，它會被承載的一切影響著也會讓不同的思考者有著不同的體驗。我們希望保留原生環境中這種質樸的“鈍感力”，來訪者透過原始墻壁斑駁的肌理可以真切地感受這座建筑的過往。
The main hall is stripped of redundant partition walls and is supported only by wooden structures to form an open space, which slowly unfolds along the axis. Space is a carrier that will be affected by everything it carries and will allow different thinkers to have different experiences. We wanted to preserve this "blunt power" of the original environment, and visitors can truly feel the building's past through the mottled texture of the original walls.
▼撫慰人心的靜謐之所，the retreat quiet space©UK STUDIO
▼陳設一角，details of the corner©UK STUDIO
陳設的存在不會讓我們特別注意到它們，就像本就屬于這里，但每一部分都不可缺失。值得一提的是，這些家具都是業主自己收藏的，在不斷的牽引外部環境與內部營造之間的對話中，陳設賦予了情感融入空間的不絕力量。
The presence of the furniture does not make us particularly notice them, as if they belong here, but every part must not be missing. It is worth mentioning that The furniture is from the owner's own collection. In the dialogue between the continuous traction external environment and the internal construction, the furniture gave the emotion to blend into the space.
▼家具的細節圖，details of the furniture©UK STUDIO
▼家具的細節圖，details of the furniture©UK STUDIO
圍合空間形成大隱于市的院子，使得室內空間的公共活動可以進行適度的外部延伸，而后通向空間的出口。內與外，是互為關聯的一體，房也是院，院也是房。
The enclosure space forms a courtyard hidden in the city, which allows the public activities of the interior space to be moderately extended outside, and then leads to the exit of the space. The inside and outside are interrelated with each other. The room is the courtyard, and the courtyard is also the room.
▼從室內望向小院，view of the courtyard from the interior©UK STUDIO
▼鳥瞰圖，aerial view©UK STUDIO
從改造到新建，我們對城市的任何想象都是基于主觀意識建立與現實之間的聯系，本案中，我們以原生場地的肌理向上重塑設計脈絡，而在未來，對現有改造空間以及院子剩余空間如何被更好的利用將是我們繼續探討的課題。
From renovation to new building, any imagination we have of the city is based on the connection between the subjective consciousness and the reality. In this case, we reshape the design upwards with the texture of the original site. In the future, how to make better use of the existing renovated space and the remaining space of the yard will be the topic we continue to discuss.
▼墻體細節，details of the wall©UK STUDIO
▼墻角一景，view of the corner©UK STUDIO
▼頂視圖，top view©UK STUDIO
▼軸測圖，axonometric©UK STUDIO
▼軸測室內空間分析圖，Axonometric drawing of the interior©UK STUDIO
項目名稱：萬國福地·精釀酒吧
設計公司：DAGA Architects大觀建筑設計
客戶：北京興氣和餐飲管理有限公司
公司網站：www.arcxtec.com
設計團隊：申江海，李靜，土也
項目類型：室內設計
建筑面積：300m2
設計時間：2022.06-2022.08
建造時間：2022.08-2022.12
項目攝影：UK STUDIO©UK STUDIO
撰文：滕天怡
Project Information
Project name : WORLD FOODIE·BREW BAR
Design company : DAGA Architects
Clients:Beijing Xingqihe Catering Management Co. LTD
Company website: www.arcxtec.com
Design Team : Shen Jianghai, Li Jingi, Tu Ye
Project type : Interior Design
Project area : 300m2
Design time : Jun 2022-Aug 2022
Construction time : Aug 2022-Nov 2022
Photographer : UK STUDIO©UK STUDIO
Writer:Teng Tianyi
來源：本文由DAGA Architects大觀建筑設計提供稿件，所有著作權歸屬DAGA Architects大觀建筑設計所有。
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