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    住宅空間的有機生長——墨爾本黑色小屋第1張圖片

    Splinter Society工作室為墨爾本增建的黑色木構小屋
    Splinter Society adds black timber extensions to Melbourne cottage

    由專筑網江鵬,小R編譯

    在墨爾本,當地工作室Splinter Society為其創始人設計了這座住宅,黑色的木材得到充分利用,創造了開敞的生活空間。

    工作室創始人Asha Nicholas和Chris Stanley在2005年畢業后不久就購買了這座小屋,在過去的20年里,他們逐漸增建了新的功能空間,創建了這個名為Host住宅的項目。

    設計方案并非簡單地延用原始小屋的白色山墻形式,而是采用對比鮮明的形式相交叉,擴大并將光線引入建筑內部。

    Black timber forms cut through a former worker's cottage to create open living spaces at this home in Melbourne designed by local studio Splinter Society for its founders.
    Studio founders Asha Nicholas and Chris Stanley purchased the cottage shortly after graduating in 2005, and over the past two decades have gradually added new spaces to create the project, called Host House.
    Instead of simply extending the white, gabled form of the original cottage, it has been intersected with contrasting forms that expand and draw light into its interiors.

    住宅空間的有機生長——墨爾本黑色小屋第2張圖片
    ▲ Host住宅是Splitter Society工作室在墨爾本建造的一座木屋
    House House is a timber-clad home in Melbourne by Splinter Society


    工作室說:“最初的白色小屋體量經過縮小,從而擴大坡屋頂的體積,使其在原建筑立面基礎上從前到后延伸!

    他繼續說道:“隨著時間的推移,這個小屋承載了許多新的黑色體量和清晰的功能!

    現有的小屋包含一個開放式的起居室、餐廳和廚房空間,以及住宅入口旁邊的臥室。

    "The original white cottage was first extruded to extend the pitched roof volume to run from the front to back of the site behind the original facade," said the studio.
    "This cottage then 'hosts' a number of new black volumes and articulated programmes added over time," it continued.
    The existing cottage contains an open plan living, dining and kitchen space as well as a bedroom alongside the home's entrance.

    住宅空間的有機生長——墨爾本黑色小屋第3張圖片
    ▲ 工作室擠壓了現有小屋的體積
    The studio extruded the existing cottage's volume


    以原始橫梁為特色的山墻天花板區域標志著廚房空間,而生活區在玻璃空間下打開,在這里小屋與新添加的部分交匯。

    這個寬敞明亮的生活空間通過大雙扇門通向花園,木制涼棚提供蔭涼。

    An area of gabled ceiling featuring original beams marks the kitchen space, while the living area opens up beneath a glazed void created where the cottage meets one of the new additions.
    This large, bright living space opens onto a garden through large bifold doors, where a wooden pergola provides shade.

    住宅空間的有機生長——墨爾本黑色小屋第4張圖片
    ▲ 黑色的木材一直延伸到室內
    Black timber was continued through to the interior


    Host住宅的新體量延伸了底層空間,在一層包含有兩間大臥室,頂部是屋頂平臺和由不規則的木板護墻包圍的浴缸。

    所有的新體量都采用了黑色木材,清晰地將它們與原來小屋的白色飾面區分開來,并使新舊之間的區域充滿活力。

    工作室介紹說:“不對稱材料的應用產生了沿著新屋頂線、圍欄和整個內部各個方面的柔軟邊緣!

    “除了黑白體量之間的關系,住宅的材料通過個人實驗探索出了一種豐富的質感!

    As well as extending the ground floor, the new volumes of Host House contain two large bedrooms on the first floor, topped by a rooftop deck and bathtub surrounded by an uneven parapet of wooden planks.
    All of the new volumes were glad in black stained timber, clearly marking them out from the white finish of the original cottage and enlivening the areas between old and new.
    "The asymmetrical material application produces a softer edge along the new roofline, fencing and at various aspects throughout the interior," said the studio.
    "Beyond the relationship between the black and white volumes, the home's materiality explores a richly textured approach through personal experimentation."

    住宅空間的有機生長——墨爾本黑色小屋第5張圖片
    ▲ 它包括兩間臥室和一個屋頂平臺
    It contains two bedrooms and a roof deck


    室內裝飾考慮了旅游的因素,生活空間專門被用來招待客人。

    在廚房中,石質臺面和照明酒吧區給人一種餐廳的感覺,而在起居空間中,座位區采用了豐富的深綠色、紅色和金色,隱藏在新體量下。

    The interior finishes draw on influences from travel, with the living spaces designed specifically to host and entertain guests.
    In the kitchen, a stone countertop and illuminated bar area are intended to give a restaurant feel, while in the living space seating areas with a rich palette of deep green, red and gold are tucked beneath the new volumes.

    住宅空間的有機生長——墨爾本黑色小屋第6張圖片
    ▲ 這所房子專為招待客人而設計
    The home was designed to entertain guests


    Splinter Society工作室之前的項目包括在墨爾本重新設計的20世紀20年代的加州風格住宅,它專注于自然材料和飾面,以及與花園的緊密聯系。

    在墨爾本的其他地方,Matt Gibson工作室擴建并修復了一座郊區住宅,增加了庭院和一座玻璃橋。

    攝影:Sharyn Cairns

    Previous projects by Splinter Society include the redesign of a 1920s California-style bungalow in Melbourne, which focused on natural materials and finishes and a strong connection to a garden.
    Elsewhere in Melbourne, Matt Gibson extended and restored a suburban home adding courtyards and a glazed bridge.
    The photography is by Sharyn Cairns.

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